Wednesday, 16 August 2017

THE NJE - AFLOAT

Cross Can’s rhythm section with Roland Kirk, Motown and the Third Stream and you’ll get somewhere near where The NJE are coming from…”

Like most band names, it came about by accident – trying to explain the sound of three musicians playing horn-led instrumentals from the rock/pop side of the tracks, the closest description was a ‘near-jazz experience’. Swiftly abbreviated to The NJE, this Near Jazz Experience was formed by multi-instrumentalist Terry Edwards, bassist Mark Bedford and drummer Simon Charterton in the spring of 2010.

Look no further than the Hendrix cover, '
Voodoo Child' for a way into their world. The familiar reinvented and taken to a parallel world. Born out of a love of improvised music which was accessible (funky beats and grooves) yet experimental enough to break the mould of middle-of-the-road jamming, the trio built up a following at a residency in the heart of London’s East End, headlining the monthly Sartorial Records music nights.

Edwards and Charterton cut their musical teeth with Norwich punk-funk band The Higsons, after which Terry formed Butterfield 8 with Madness bassman Mark Bedford. The NJE draws the three together in an outfit reminiscent of The Bays in that they don’t rehearse, but perform music intuitively, with an ear to accessible beats and tonality with Edwards’ melodic flights of fancy dancing over the top.

Afloat came about after several recording sessions, both in concert and in the studio, and completed by the band using harsh editing techniques overseen by Hot Chip frontman Alexis Taylor at the mixdown stage. The album’s seven tracks are complimented by the addition of four previously released download/vinyl tracks for your listening and dancing pleasure!

Mainstays of the NJE sound are Edwards’ double-sax technique - playing alto & tenor simultaneously, Charterton’s polyrhythmic funk patterns and Bedford’s fluid but grounding basslines. The whole is a near-jazz experience - just what you’d expect from musicians who have worked with people as far-flung as
PJ Harvey, Jerry Dammers, Tom Waits, Spiritualized, Robert Wyatt, Alex Harvey, Gallon Drunk, Big Star, St Vincent and Ian Dury. And that’s just the tip of the iceberg... Pre-order Afloat here.


"The NJE.... thanks to their innate grasp of the jazz impulse and flagrant disregard for musical boxes, often chart genuinely new ground." Prog 

"First class musicians delivering first class music. What’s not to love?" Jazz In Europe

"Adventurous, inventive and genre-straddling music..." RnR




Friday, 16 June 2017

FOLK DEVILS & INCA BABIES ANNOUNCE SUMMER DATES



















Encouraged by the media and fan reaction to last year’s Beautiful Monsters retrospective and accompanying reunion shows, the surviving members of Folk Devils are joining forces with Manchester's Inca Babies for a handful of summer dates around the UK.

Folk Devils - fronted by the charismatic Ian Lowery - and Inca Babies both released acclaimed music in the mid-80s that helped define the emerging adrenalized blues-inflected swamp-rock scene that had spawned the likes of The Birthday Party, The Gun Club and The Scientists, recording multiple sessions for John Peel’s legendary BBC Radio 1 programme.

With the release of the long-overdue anthology Beautiful Monsters (Singles & Demo Recordings 1984-86) last summer through Optic Nerve Recordings, original Folk Devils guitarist Kris Jozajtis and bassist Mark Whiteley decided to reconvene the band with late-period drummer John Hamilton and Dave Hodgson of post-punks Parting Shots taking the place of Lowery, who sadly died in 2001.

The Inca Babies reformed around founding member Harry Stafford in 2007 and have been active since, releasing their most recent album The Stereo Plan in 2014. Now a 3-piece, the band is completed by drummer Rob Haynes (The Membranes, Goldblade) and bass player Vince Hunt, formerly of A Witness.

Speaking about the Folk Devils reunion, Jozajtis says, “Getting back together for live shows happened because of the release of Beautiful Monsters last September, and the collective need of the surviving Devils to mark that event by doing what we used to do best - playing the songs live. It certainly wasn't about nostalgia, although there was always a sense of unfinished business after we called it a day in the 80s. Of course, we wanted to honour the memory and singular talent of Ian. Much of what he wrote is even more resonant now, as many critics realize. Finding Dave Hodgson, who knew Lowery and has a real connection with the material, was crucial to making the reunion work. However, we also wanted to see if we could rekindle the fire which had characterized the sound of the band. I guess audiences can judge whether we've succeeded in that for themselves.  But the fact that we're all investing time, energy and money in this project will tell you what we think.”

The full dates are....

Fri July 14: Manchester @ The Whiskey Jar
Sat July 15: London @ The Shacklewell Arms *
Sun July 16: Northampton @ The Charles Bradlaugh *
Thurs July 20: Leeds @ Brudenell Social Club
Fri July 21: Glasgow @ O2 ABC2
Sat July 22: Bethesda, N. Wales @ Neuadd Ogwen

*Also featuring Venus Fly Trap

Sat Oct 28: Middlesbrough @ Westgarth Social Club
Peel Regenerated w/ The Telescopes, Folk Devils, The Inca Babies, Eton Crop, Year Of Birds


Folk Devils Facebook
Inca Babies Facebook 

Friday, 12 May 2017

PROUDFOOT plus PHIL MARTIN - LIVE AT THE RAILWAY TAVERN, DALSTON

London-based Americana and mature pop act Proudfoot are to play an intimate semi-acoustic show in East London next month.

The band, who released their second album Flower Of London to some acclaim last autumn, play the Railway Tavern, St Jude Street, Dalston on Thursday 1 June.

The band is the brainchild of filmmaker and songwriter Michael Proudfoot, one-time frontman of 90s Brit honky-tonk band The Highbury Hotdogs, together with guitarist Duncan Kerr of legendary Stiff Records pub rockers Plummet Airlines, new wave powerpoppers The Favourites. The line-up is completed by bassist Wayne Worrell and drummer Joe Malone. Expect flavours of good-time 60s country, laced with the influence of late-70s new wave songwriters like Nick Lowe, Elvis Costello and Difford & Tilbrook.

Support comes from North Yorkshire-via-Brentford songwriter Phil Martin. An original member of The Shanakies (Blur's support band of choice on their Parklife tour), multi-instrumentalist Phil has also served time with The Men They Couldn't Hang, Vic Godard & The Subway Sect and The Bitter Springs. He's currently preparing the follow-up to 2013's Don't Be Afraid Of The Dark, which legendary music journalist Geoff Barton, writing in Classic Rock magazine, compared very favourably to Kevin Ayers.

Music starts 8.30pm. Admission is FREE.

Proudfoot on Facebook

Phil Martin on Facebook

The Railway Tavern on Facebook

Monday, 1 May 2017

THE MOTHERS EARTH EXPERIMENT

Swordfish Records presents the debut album by The Mothers Earth Experiment, a six-piece contemporary progressive outfit from the West Midlands.

With a wide range of influences from electronica, jazz, world music and psychedelia all the way to black metal and back, the band of childhood friends pride themselves in their eclectic inspirations to weave detailed sonic tapestries of dense psychedelic atmospheres and emotive melodies in order to propel their message of social consciousness and environmental awareness.

We feel artistic freedom has become feared within the music industry, and we aim to express what is close to us through our music and art.”

The release of their debut EP Don’t Speak Against The Sun in September 2015 and their first show supporting Gong has led to a series of dynamic performances across the UK, gaining a reputation as a band with a lot to say. In the past year they’ve supported the likes of Syd Arthur, Soft Machine, Acid Mothers Temple, Nicholas Allbrook (Tame Impala, Pond), Braids and Arthur Brown.

The band released their debut limited edition single 'Cool Down Mama' on Record Store Day.

The six-track self-titled album will be available on limited edition multi-coloured splatter vinyl in a gatefold sleeve as well as on CD and download.

Launched in 1987 out of their Birmingham city centre store, Swordfish has built a deserved reputation for high quality rock and psych releases from the likes of Acid Mothers Temple, Keiji Haino, Roky Erickson and Godflesh.

Catch The Mothers Earth Experiment live at....

Fri 19 May – The Night Owl, Birmingham (album launch allnighter)




A perfect fusion of jazz, funk and progressive psychedelia” Counteract






SERIOUS SAM BARRETT - LIVE AT THE RAILWAY TAVERN, DALSTON

Leeds' finest exponent of country-folk 12-string, Serious Sam Barrett returns to play The Railway Tavern Ale House in Dalston, London on Thursday 4 May.

Sam was invited to play MuleFreedom's first ever acoustic event at The Railway back in 2012, and this will be his sixth visit. It comes hot on the heels of his latest album The Dime Horseshoe, recorded with James The Fang from Alabama folk punks The Pine Hill Haints on an island in the mouth of Mobile Bay. Buy it here.

Says Sam, "Playing the Railway is a beautifully informal and intimate gig. Everyone is made to feel welcome and people are there to hear great music. It attracts a crowd as diverse as London itself. A great place to play."

MuleFreedom hosts an acoustic event at The Railway Tavern on the first Thursday of every month.

Sam will be playing two solo sets, kicking off at 9pm. Admission is FREE!



Serious Sam Barrett on Facebook

The Railway Tavern on Facebook

RED MOON JOE - TIME & LIFE


They say you can’t keep a good band down, and that’s certainly true of UK roots band Red Moon Joe. Buoyed by the success of Midnight Trains, the first Red Moon Joe album in more than 20 years, they return with the newly minted Time & Life. And as with their previous albums, they continue to move forward, reminding us of the true essence of time and life: to never stay in one place for too long.

This time around, the band headed down to Liverpool’s Elevator studios, laying down their bluegrass-inflected tracks, this time augmented with keyboards and a 3-piece brass section and a little help from some special guests including Del Amitri’s Justin Currie, Virginian singer-songwriter Cathryn Craig and Jason Isbell’s guitarist Sadler Vaden. The result is an album that brings together Red Moon Joe’s mid-80s cowpunk origins through 90s alt.country, making Time & Life an album for right now, that does both the band and UK Americana proud.

These songs move away from traditional themes of lost love and heartache, drawing on the universal issues of ageing and the maelstrom of feelings, joys and anxieties that come with it. ‘Slow Sun Wheeling’ takes its title, like the album, from a poem by Algernon Swinburne; it’s essentially about regret but also living life to the full and squeezing every bit of joy that you can into every day. ‘Elvis, Townes And Hank’ considers the price of fame, while ‘Shadows’ is about an old friend fighting a battle with the bottle after the breakdown of a relationship. Another standout cut is ‘Orgreave’, about the spirit of defiance and the dignity shown by miners and their families in the face of injustice and violence.

Red Moon Joe were originally formed in Lancashire in 1985 by Mark Wilkinson, who was already forging a career as the go-to guitarist for visiting Nashville legends. With cowpunk and paisley underground in vogue, the band toured constantly throughout the UK and Europe, releasing the album Arms Of Sorrow on the iconic Run River label, also home to Bert Jansch and John Renbourn. The band split in 1993, with Wilkinson resuming his career as a ‘hired gun’, sharing stages with the likes of Townes Van Zandt, Steve Earle, Guy Clark and Emmylou Harris. Wilkinson reconvened Red Moon Joe in 2010, eventually releasing Midnight Trains to considerable praise three years later.

Time & Life is released on 28 July through DBS Recordings



Praise for Midnight Trains....

 “A comeback LP that’s as fantastic as it is unexpected. 9/10” Whisperin’ & Hollerin’

“An awful lot of reunions are a massive disappointment; this one is long overdue and the only disappointment is that they didn’t do it sooner. 8/10” Americana UK

“As fine an example of UK Americana as you’re likely to find.” Flyin’ Shoes

“This album deservedly marks another highpoint.” Netrhythms

Thursday, 27 April 2017

LIL' LOST LOU - DEBUT ALBUM!

She’s like the girlfren’ of Jonathan Richman, the sister of the Stanley Brothers and the daughter of Jack White”

London-based country/rockabilly songwriter Lou Psyche alias Lil’ Lost Lou here presents her debut solo album. Not one to do things by halves, she travelled alone to Nashville to work with revered producer, songwriter and musician Billy Livsey, a man with the likes of Ronnie Lane, Kenny Rogers, Tanya Tucker and George Strait on his CV.

Setting up in the analogue Welcome To 1979 Studios (housed in a former Motown, Chess and RCA pressing plant), Livsey corralled the cream of Music City sessioneers, including bassist Dave Roe (Johnny Cash, Chet Atkins, Sturgill Simpson); pedal-steel player Russ Pahl (Glen Campbell, Patty Loveless, Kacey Musgraves); guitarist Stuart Mathis (Chris Isaak, Lucinda Williams), and drummer Justin Amaral (Junior Brown, Tommy Womack).

Let’s let Lou tell the story.... “This Nashville LP was about finishing a journey. It’s a bit more slick than my London skiffle punk/country band, but It’s still pretty raw and I think it has a great cross-cultural sound going on . I’m still so excited that these amazing guys wanted to collaborate on it.

The last song on the album, ‘Song for Bob Dylan’, I wrote 20 years ago in New York just before my dad died. I’d heard a poem by Dylan called ‘Last Thoughts On Woody Guthrie’, which said, ‘If it’s hope that you’re seeking …you’ll find it at the Grand Canyon at sundown”. Last year I finally flew back out to the USA to see the Grand Canyon. I watched the sun go down, then caught a train across America. 32 hours later I arrived in Nashville, Tennessee where I recorded that same song about the Grand Canyon that I wrote 20 years beforehand. In 12 hours we had recorded a whole album.”

Once Lou was back in the UK, finishing touches were applied to the album with the help of producer Sean Kenny at his Ten21 Studio in Maidstone.

Born and raised in Camden Town, Lou has shared stages with the likes of Wanda Jackson, Billy Childish, Pete Doherty, Wilko Johnson, The Urban Voodoo Machine and Fat White Family and sang ‘Don’t Bogart That Joint’ over the closing credits of the 2010 film Mr Nice. She plays an Epiphone Casino guitar.

"Lou attacks each song here like a train coming down the track, full-pelt!" Country Music

One of those rare finds, like finding a £20 note behind the back of your old sofa. You don't expect anything but by the end there's a big old smile on yer face!” FATEA

Of all the women haunting the secret smog filled outsider art scene in London, Lou is by far the sassiest and dirtiest of them all. A princess of a weird dark country/punk night life.” AAAmusic.com